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Opposing Apartheid on Stage
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Description
Opposing Apartheid on StageA captivating account of an interracial jazz opera that took apartheid South Africa by storm and marked a turning point in the nation's cultural history. In 1959, King Kong, an interracial jazz opera, swept across South Africa and became a countrywide phenomenon. Its performances sold out, its LP record was widely heard, and its cast became recognized celebrities. Featuring an African composer, cast, and orchestra but predominantly white directors and
point of debating whether the war should continue at all
The organizational frame of the workshop and also of this edition is the partnership between the IKERI and the University of Innsbruck—the first formal high-level academic partnership between an Iranian Institution and a European University
they recognized its limits—that not every decision can be reduced to mechanistic calculations of optimal outcomes
the state and the individual
Using Godly Play® methods
and more recent areas of interest such as argumentation or the analysis of dialogic interaction in specific contexts
of mediation and resistance developed through the transfer of European knowledge to a second geographical area and through the contact of cultures and religions
Schulinformatik ist ein wesentlicher Bestandteil einer zeitgemäßen Allgemeinbildung
die ihn zu einer "angewiderten Bewunderung" (Heribert Müller) des NS-Regimes führten
Moeller's study shows that public policy is a crucial arena where women's needs
Internationale Autorinnen und Autoren präsentieren den aktuellen Forschungsstand in der griechisch-byzantinischen Paläographie und Manuskriptforschung
emphasizing the mind as receptive and shaped by external experience
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