The Enemy in Contemporary Film

The Enemy in Contemporary FilmWhile filmic representations of enemies are legion, film studies have so far neglected the way in which filmic mediations of enemy images have contributed to shaping cultural memories. The present volume investigates the (de)(re)constructions of enemy images in international film since the 1970s. The three parts deal with (re)configurations of the enemy in contemporary global cinemas, analysing films on the two world wars, on regional military

Surviving Freedom is his moving account of how he rebuilt his life after tremendous hardship and personal loss

relatives of the disappeared

Instead of the critically lauded The Country of the Pointed Firs

The Mayor of Aihara chronicles the extraordinary transformation of Hashimoto against the background of Japan's rapid industrialization

and the second on economic

embodies the modern ideal of the Renaissance man—he was a remarkable painter

Through this interplay

” by Ben Finney

sondern vor allem durch die objektive Bedeutung

concertrating particularly on the causes for its growth in the Carolingian period and its decline in the thirteenth century

free speech

and lingua francas