B 29-18-1 Courtesy Samurai Art Museum–Collection Janssen, Berlin, Germany

B 29-18-1 Courtesy Samurai Art Museum–Collection Janssen, Berlin, GermanyArtwork Info About the Artist Artist Docs 2018 Pigment print on archival paper flush mounted to Aluminum Composite Panel From the series "Samurai" Signed, titled, dated, and editioned, au mount verso Printed in 2019 Edition of 3 + 1 AP (#1 3) Unframed For more than thirty years, Claudia Fahrenkemper (b. Castrop Rauxel, Germany, 1959) has used photography to explore the strange beauty of man made or natural objects by isolating them in some way from

The print itself has good contrast and a full modulation of tonality

Source:  Nova Scotia Archives

along with Michael Snow

with Proof Print and artist stamp

a street-photographer’s eye for the human form

Photography at the end of the analog era is an elegiac reflection on the resilience of traditional art forms in the digital era and a vital commemoration of a century-old industry that seems to have disappeared overnight

His SX-70 work was the subject of a monograph in 2007 by WW Norton: André Kertész The Polaroids

In 1911 her photograph of her daughter Violet

Artist Process  (PDF)

"master print 1962"

mysticism and ritual

she photographed sculptures of mother goddess figures that radiate female power